29. Musical Sequence-Space and Discriminative Intellect
Subject of Study 2
Scientifically Studying the Universal Intuitive Harmony-Potential of UNIVERSAL
CONSCIOUSNESS – the Integration of Universal Cognition & Creation – within
the Evolutionary Universal Coordination of our Cosmic Intellectual Understanding
with our Integrative Ability of Cosmic Feeling –
the Harmony of Heaven and Earth – the Integration of the Flying and the
Walking Aspect of the Dragon –
Through the Integration of the Field of Knowledge of the Musical
Motif-Space and the Field of Knowledge of our Understanding
During / by the Integrated Analysis and Synthesis of Sound and Idea
Seminar Series
Integrated mechanics of the combination of basic sound and basic idea at the
transition from the field of knowledge of our understanding to the field of knowledge
of the musical sequence-space
Integrated mechanics of the combination of the overtone spectrum of the sound
with the idea derivation at the transition from the field of knowledge of our
understanding to the field of knowledge of the musical sequence-space
Integrated mechanics of the combination of the periodic vibration of the sound
with the periodic idea chain at the transition from the field of knowledge of
our understanding to the field of knowledge of the musical sequence-space
Integrated mechanics of the combination of the vibration sequence of the sound
with the idea sequence at the transition from the field of knowledge of our understanding
to the field of knowledge of the musical sequence-space
Integrated mechanics of the combination of the aperiodic vibration of the sound
with the aperiodic idea chain at the transition from the field of knowledge of
our understanding to the field of knowledge of the musical sequence-space
Integrated mechanics of the attacks of the combination of sound and idea at the
transition from the field of knowledge of our understanding to the field of knowledge
of the musical sequence-space
Integrated mechanics of the decays of the combination of sound and idea at the
transition from the field of knowledge of our understanding to the field of knowledge
of the musical sequence-space
Integrated overtone mechanics of the combination of sound and idea at the transition
from the field of knowledge of our understanding to the field of knowledge of
the musical sequence-space
Integrated mechanics of the combination of vowel and idea at the transition from
the field of knowledge of our understanding to the field of knowledge of the
musical sequence-space
Integrated mechanics of the combination of formants and idea at the transition
from the field of knowledge of our understanding to the field of knowledge of
the musical sequence-space
Integrated mechanics of the combination of unvoiced consonant and idea at the
transition from the field of knowledge of our understanding to the field of knowledge
of the musical sequence-space
Integrated mechanics of the combination of voiced consonant and idea at the transition
from the field of knowledge of our understanding to the field of knowledge of
the musical sequence-space
Integrated mechanics of the combination of sound and idea at the transition from
the field of knowledge of our understanding to the field of knowledge of the
musical sequence-space
Common Eigenfunction of idea and sound at the transition from the field of knowledge
of our understanding to the field of knowledge of the musical sequence-space
Common Eigenfunction of idea and voiced consonant at the transition from the
field of knowledge of our understanding to the field of knowledge of the musical
sequence-space
Common Eigenfunction of idea and unvoiced consonant at the transition from the
field of knowledge of our understanding to the field of knowledge of the musical
sequence-space
Common Eigenfunction of the idea and the formants at the transition from the
field of knowledge of our understanding to the field of knowledge of the musical
sequence-space
Common Eigenfunction of idea and vowel at the transition from the field of knowledge
of our understanding to the field of knowledge of the musical sequence-space
Common Eigenfunction of the overtone mechanics of idea and sound at the transition
from the field of knowledge of our understanding to the field of knowledge of
the musical sequence-space
Common Eigenfunction of the decays of idea and sound at the transition from the
field of knowledge of our understanding to the field of knowledge of the musical
sequence-space
Common Eigenfunction of the attacks of idea and sound at the transition from
the field of knowledge of our understanding to the field of knowledge of the
musical sequence-space
Common Eigenfunction of the aperiodic idea chain and the aperiodic vibration
of the sound at the transition from the field of knowledge of our understanding
to the field of knowledge of the musical sequence-space
Common Eigenfunction of the idea sequence and of the vibration sequence of the
sound at the transition from the field of knowledge of our understanding to the
field of knowledge of the musical sequence-space
Common Eigenfunction of the periodic idea chain and the periodic vibration of
the sound at the transition from the field of knowledge of our understanding
to the field of knowledge of the musical sequence-space
Common Eigenfunction of the idea derivation and the overtone spectrum of the
sound at the transition from the field of knowledge of our understanding to the
field of knowledge of the musical sequence-space
Common Eigenfunction of the basic idea and basic sound at the transition from
the field of knowledge of our understanding to the field of knowledge of the
musical sequence-space
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