For the next logical step to the states of consciousness related to the text
please click on the numbers.
 

The Place of Origin of the Musical Thought

Initially, the composer does not hear
4. 5, 5. 6, 10. 19, 11. 20, 17. 31, 18. 32

a finished thought –
1.-3. 2, 3, 12.-14. 22, 23, 19.-21. 34, 35

i. e. with his sense of hearing he does not survey a thought that is already produced.

From the very beginning already, at the origin of a thought,

1.-3. 2, 3, 11. 21, 12.-14. 22, 23, 18. 33, 19.-21. 34, 35

he decides
6. 11, 7. 12, 8. 13, 9. 14, 15. 25, 16. 26

deep within himself,
7, 8, 15
6, 9, 16
4, 11, 18
5, 10, 17

what and how
6. 10, 11, 9. 14, 15, 16. 26, 27
5. 9, 6. 10, 10. 16, 17, 17. 28, 29
5. 6, 7, 10. 18, 19, 17. 30, 31
4. 4, 5, 11. 20, 21, 18. 32, 33

he will think.
1.-3. 2, 3, 11. 21, 12.-14. 22, 23, 18. 33, 19.-21. 34, 35