DEUTSCHE AKADEMIE DER HARMONIE |
DEUTSCHE AKADEMIE DER HARMONIE |
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE |
Faculties: Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts |
. | . | .Deutsche Übersetzung in Arbeit |
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PART II |
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THE LOGIC OF THE MUSICAL FIELDS OF COGNITION |
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Creating Music as an Empirical Process of Knowing |
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Consequently, creating music may be considered empirical only that the process of comprehension is pointed within: here, the empirical comprehension concerns the inside and not the outside. |
Direct Comprehension of the Absolute Reality of Music |
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So, empirically comprehending the outer musical reality only served to inspire the listener to empirically comprehend his own inner musical reality; and thus it served to comprehend his own inner, perfect, natural art of music. |
The Purpose of Outer Music |
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In the process of creative music listening, “creating something new” is typically a “re-semblance,” a “re-vival,” a “re-calling into being,” a “re-creating,” a “fundamental realization.” |
The Ever-Present Hour of Birth of the Music |
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Hence, creative music listening is that mechanism where the listener knows how to make the golden tree of music grow naturally and spontaneously out of his own inner perfect artistic potential, through the forces inherent in his natural musical potential; and he does so after an outside stimulation from the fertile ground of his innermost intuition: from the fertile ground of his innermost faculties of cognition. From the height of his pure self-awareness, he goes down to the world of his human feeling and understanding, and further down to the world of the musical sound-space or as a musician even further down to the acoustic space. |
The Golden Tree of the Art of Sound |
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© 1998-
WORLD UNION OF THE ACADEMIES OF ACADEMIC EXCELLENCE
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