SCIENTIFICALLY STUDYING THE UNIVERSAL STRUCTURAL DEVELOPMENT OF COSMIC HUMAN EXISTENCE, LIFE, EVOLUTION & DIGNITY – THE AUTHENTIC COGNITIVE PATH TO UNIVERSAL PHILOSOPHY – AND
THE NATURAL UNIVERSAL STRUCTURAL DEVELOPMENT OF PHILOSOPHY – IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF PHILOSOPHY UNDER THE AUSPICES OF MEDICINE – AND IN COHERENCE WITH THE UNIVERSAL MUSICAL STRUCTURAL DEVELOPMENT OF OUR COSMIC NEUROPHYSIOLOGY
WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CONSCIOUSNESS
THROUGH UNIVERSAL ANALYSIS IN THE MUSICAL FIELDS OF COGNITION
DURING THE MUSICAL PROCESS OF COGNITION

at the transition of the overtone spectra of the combination of tone and sound with the idea derivation from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the periodic vibrations of the combination of tone and sound with the periodic idea chain from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the vibration sequences of the combination of tone and sound with the idea sequence from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the aperiodic vibrations of the combination of tone and sound with the aperiodic idea chain from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the attacks of the combination of tone, sound and idea from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the decays of the combination of tone, sound and idea from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the overtone mechanics of the combination of tone, sound and idea from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the combination of tone, vowel and idea from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the combination of the overtone spectrum of the tone with the formants and the idea derivation from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the combination of the tone with the unvoiced consonant and the idea from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the combination of the tone with the voiced consonant and the idea from the force-field of the acoustic space to the field of our neurophysiology

at the transition of the combination of tone, sound and idea from the force-field of the acoustic space to the field of our neurophysiology