DEUTSCHE AKADEMIE DER HARMONIE
DEUTSCHE AKADEMIE DER HARMONIE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
   Faculties:   Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts
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Grundgesetz der Akademie

The Cosmic
Education Program

Introduction

Peter Hübner
Developer of the University

 

Faculty of PYTHAGORAS

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C U R R I C U L U M

Scientifically Studying the Universal Potential of
Human Consciousness
within our Cosmic
Human Structure

03.
Mind to Inner Voice

Subject of Study 1

Subject of Study 2

Subject of Study 3

Subject of Study 4

Subject of Study 5

Subject of Study 6

Subject of Study 7

 

 

Astronomy of Mind EQ x IQ

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FACULTY OF PYTHAGORAS
SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL STRUCTURE OF COSMIC HUMAN EXISTANCE
THROUGH UNIVERSAL ANALYSIS IN THE MUSICAL FIELDS OF COGNITION
03. Mind to Inner Voice

SCIENTIFICALLY STUDYING THE UNIVERSAL MUSICAL STRUCTURAL DEVELOPMENT OF COSMIC HUMAN EXISTENCE, LIFE, EVOLUTION & DIGNITY – THE AUTHENTIC COGNITIVE PATH TO UNIVERSAL INTELLIGENCE – AND
THE NATURAL UNIVERSAL MUSICAL STRUCTURAL DEVELOPMENT OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE –
IN CONNECTION TO OBJECTIVE SCIENTIFIC RESEARCH IN THE FIELDS OF SCIENCE, ART, PHILOSOPHY, RELIGION, EDUCATION & MEDICINE UNDER THE AUSPICES OF MEDICINE –
AND IN COHERENCE WITH THE UNIVERSAL MUSICAL STRUCTURAL COORDINATION OF OUR MIND WITH OUR
INNER VOICE – OUR ABILITY OF COSMIC THINKING

WITHIN THE UNIVERSAL DEVELOPMENT OF HUMAN CONSCIOUSNESS
THROUGH UNIVERSAL ANALYSIS IN THE MUSICAL FIELDS OF COGNITION
DURING THE MUSICAL PROCESS OF COGNITION

Subject of Study 7

Scientifically Studying the Universal Musical Coordination of our Mind with our Inner Voice – our Ability of Cosmic Thinking
Through the Transition From the Force-Field of our Mind to the Field of our Inner Voice
During / by the Integrated Study of Tone, Sound and Idea


Seminar Series

at the transition of the combination of basic tone, basic sound and basic idea from the force-field of our mind to the field of our inner voice

at the transition of the overtone spectra of the combination of sound and sound from the force-field of our mind to the field of our inner voice

at the transition of the periodic vibrations of the combination of tone and sound with the periodic idea chain from the force-field of our mind to the field of our inner voice

at the transition of the vibration sequences of the combination of tone and sound with the idea sequence from the force-field of our mind to the field of our inner voice

at the transition of the aperiodic vibrations of the combination of tone and sound with the aperiodic idea chain from the force-field of our mind to the field of our inner voice

at the transition of the attacks of the combination of tone, sound and idea from the force-field of our mind to the field of our inner voice

at the transition of the decays of the combination of tone, sound and idea from the force-field of our mind to the field of our inner voice

at the transition of the overtone mechanics of the combination of tone, sound and idea from the force-field of our mind to the field of our inner voice

at the transition of the combination of tone, vowel and idea from the force-field of our mind to the field of our inner voice

at the transition of the combination of the overtone spectrum of the tone with the formants and the idea derivation from the force-field of our mind to the field of our inner voice

at the transition of the combination of the tone with the unvoiced consonant and the idea from the force-field of our mind to the field of our inner voice

at the transition of the combination of the tone with the voiced consonant and the idea from the force-field of our mind to the field of our inner voice

at the transition of the combination of tone, sound and idea from the force-field of our mind to the field of our inner voice