17. Musical Sequence-Space to Discriminative Intellect
Subject of Study 5
Scientifically Studying the Universal Integrative Development of Human Creativity – the
Heaven – the Flying Aspect of the Dragon – within the Universal Coordination
of our Cosmic Intellectual Understanding with our Integrative Ability of Cosmic
Feeling
Through the Transition from the Field of Creativity of our
Intellect
to the Force-Field of the Musical Sequence-Space
During / by the Integrated Synthesis of Sound and Tone
Seminar Series
at the transition of sound and tone from the force-field of the musical sequence-space
to the force-field of our understanding
at the transition of the voiced consonant and tone from the force-field of the
musical sequence-space to the force-field of our understanding
at the transition of the unvoiced consonant and tone from the force-field of
the musical sequence-space to the force-field of our understanding
at the transition of the formants and the overtone spectrum of the tone from
the force-field of the musical sequence-space to the force-field of our understanding
at the transition of vowel and tone from the force-field of the musical sequence-space
to the force-field of our understanding
at the transition of the overtone mechanics of sound and tone from the force-field
of the musical sequence-space to the force-field of our understanding
at the transition of the decays of sound and tone from the force-field of the
musical sequence-space to the force-field of our understanding
at the transition of the attacks of sound and tone from the force-field of the
musical sequence-space to the force-field of our understanding
at the transition of the aperiodic vibrations of sound and tone from the force-field
of the musical sequence-space to the force-field of our understanding
at the transition of the vibration sequences of sound and tone from the force-field
of the musical sequence-space to the force-field of our understanding
at the transition of the periodic vibrations of sound and tone from the force-field
of the musical sequence-space to the force-field of our understanding
at the transition of the overtone spectra of sound and tone from the force-field
of the musical sequence-space to the force-field of our understanding
at the transition of basic sound and basic tone from the force-field of the musical
sequence-space to the force-field of our understanding
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