DEUTSCHE AKADEMIE DER HARMONIE
DEUTSCHE AKADEMIE DER HARMONIE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
   Faculties:   Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts

 

Home

Site Map

Basic Law of the Academy

The Cosmic
Education Programm

Introduction to the University of the Future

Academic Institutes

Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

I.
THE OBJECT OF
GAINING KNOWLEDGE
IN MUSIC

The System of the
Fields of Knowledge
in Music

The Function of the Fields
of Cognition in Music

Immediate Knowledge
of the Musical Meaning

The Structure of the Fields
of Cognition in Music

The Fields of Knowledge
of the Musical Representation

Patterns of Perfect
Education in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the University

 

 






UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   I
     
 
THE OBJECT OF GAINING KNOWLEDGE IN MUSIC
     
         
 
The Fields of Knowledge
of the Musical Representation


   
 
Hence, mu­sic de­picts the cog­ni­tive field of our ecol­ogy in the force-field of its mu­si­cal sound-space.
In its motif-space, it por­trays the field of our in­di­vid­ual knowl­edge; in the mu­si­cal force-field of the se­quence-space it ex­plains the realm of our so­cial world of knowl­edge.
In yet a higher, or bet­ter: unworldly, sense mu­sic de­picts the per­fect func­tion­ing of na­ture in its whole­ness in the space of the har­mony.

 
The Musical Systems of Order as Fields of Description of Reality
 
 
The mu­si­cal sound-space can be com­pared to our physi­ol­ogy, and the tones dis­played in it cor­re­spond to the atoms and molecules of our physi­ol­ogy.
The in­ner struc­ture of the tones cor­re­sponds to the in­ner struc­ture of the atoms, and the mani­fold re­la­tions of tones are an equiva­lent of the mo­lecu­lar struc­tures in na­ture.

 
Physics in Music
 
 
The sta­ble atom is rep­re­sented by the pe­ri­odi­cal vi­bra­tion, and the mas­tery over the atomic struc­ture ap­pears in the re­sound­ing form of the con­trolled ape­ri­odi­cal vi­bra­tion.
The un­con­trolled ape­ri­odi­cal vi­bra­tion sym­bol­izes the atom as it grows or decays.

   
 
The power over the atoms which phys­ics, for ex­ample, at­tempts or ex­er­cises in nu­clear fis­sion, is equiva­lent to the mu­si­cal seiz­ing power over the mi­cro­cosm of the mu­si­cal sound-space, which lies in the in­te­grated mas­tery of the over­tone-me­chan­ics.

 
Atom Physics in Music
 
 
The mani­fold, larger com­bi­na­tions of atoms and molecules are rep­re­sented by the ho­moph­ony by means of sums of pe­ri­odic vi­bra­tions which cor­re­spond to the struc­ture of crys­tals or to the crys­tal struc­ture of the ele­ments in na­ture.
The more com­plex com­bi­na­tions of tones in the mu­si­cal form-field be­tween ho­moph­ony and po­lyph­ony cor­re­spond to the or­gan­isms of liv­ing be­ings.

 
Budding Life in Music
 
 
Po­lyph­ony de­scribes the in­fi­nite change of the ele­ments and in this re­spect, the ele­ment which lies at the basis of the physi­cal: the men­tal-emo­tional.

 
The Mental-Emotional Element in Music
 
     
     
                               
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
.