DEUTSCHE AKADEMIE DER HARMONIE
DEUTSCHE AKADEMIE DER HARMONIE
SCIENTIFICALLY INTRODUCING UNIVERSALITY TO ACADEMIC LIFE
   Faculties:   Music & Musicology · Philosophy · Medical Sciences · Education · Pythagoras · Consciousness · Humanities · Natural Science · The Dragon · The Veda · Culture · Opera & Arts

 

Home

Site Map

Basic Law of the Academy

The Cosmic
Education Programm

Introduction to the University of the Future

Academic Institutes

Peter Hübner
Developer of the University

 

Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 2

IX.
THE SECRET OF MUSIC

The Secret Exchange
of Experiences
of the Listener
with the Creative Form
of the Music Creator

The Great Musical
Turning-Point

The Father of the
World-Creators in Music

The Technique of
Conveying Truth in Music

The Fires of Cognition
of Music

Step by Step the Social Awareness Awakens
 in the Listener

Knowing Unity in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

International Experts

Educational Program
Health

Scientific Research

International Media

International Congresses

Membership

Application to the University

 

 






UNIVERSAL MUSIC THEORY 2
The Practical Fundamentals of Universal Cognition
.
 
PART   IX
     
 
THE SECRET OF MUSIC
     
         
 
The Technique of
Conveying Truth in Music


   
 
The mu­sic poet’s deep in­sight into the ex­ist­ing hu­man de­fi­cien­cies is the rea­son why he has suc­ceeded in magi­cally pro­duc­ing this per­fect, crea­tive knowl­edge through mu­sic in his lis­tener – re­gard­less of the quali­fi­ca­tion of the per­for­mer.

 
Directing the Music by Means of the Instrument
 
 
In the score he has in­structed the mu­si­cian only how to use the in­stru­ment – in an al­most me­chani­cal man­ner.
The mu­si­cal script he has used in­deed in­cludes the mean­ing, the se­man­tics, the mu­si­cal sense, but as a script it is not at all re­lated to the se­man­tics as such.

   
 
From the com­poser’s score, there­fore, the mu­si­cian could glean only hints for the use of his in­stru­ment, and by im­ple­ment­ing them in de­tail the mu­si­cal state­ment re­sulted all by it­self.

   
 
Be­ing de­vel­oped by the great poets of mu­sic, this mu­si­cal script, this kind of encipherment for­tu­nately disal­lowed the in­ter­preter to se­ri­ously de­stroy the mu­si­cal state­ment, or to fun­da­men­tally change it.

 
Indestructibility of the Musical Statement
 
 
Given the con­ven­tional way of writ­ing, the me­chani­cal read­ing of the mu­si­cal script rules out such risk. Like­wise, due to its me­chani­cal func­tion, a com­puter is not aware of the mean­ing of the data which it stores and trans­mits, and there is no need for it to be so.
But still it is pos­si­ble and com­mon in­deed, to trans­mit with its help a mean­ing­ful mes­sage.

 
Freedom and Non-Freedom of the Interpretation in Music
 
 
So, the great crea­tors of mu­sic knew how to convey over great spans of time the knowl­edge con­tained in their sound­ing poetry to the lis­tener – de­spite se­vere in­ter­pre­ta­tional in­ade­qua­cies.

 
Music Creators as Wise Knowers of the Musical Scene
 
 
This is not at all to say that a mu­si­cian or an in­ter­preter is not able to have such crea­tive mu­si­cal ex­peri­ence, too; it only means that – con­trary to popu­lar notion – while con­trol­ling the in­stru­ment as pre­scribed to him, he need not be able to make a deep mu­si­cal ex­peri­ence in or­der to in­tro­duce a true mu­sic lover to the re­al­ity of mu­sic.

   
 
This re­minds of stand­ing be­fore a child, wondering and be­com­ing aware of the crea­tive po­ten­tial mani­fest in it, while the child’s uncle, who leads it by the hand, has no sense of such wonder.

 
The Official and the Secret Knower of Reality
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
                                     
                                     
                                     
.